This article was originally published in the 2023 edition of 果冻传媒 University鈥檚聽Spire听尘补驳补锄颈苍别.
Our story begins as a newborn boy named Alan finally arrives home after a complication of cystic fibrosis and three months in the neonatal intensive care unit of Roanoke Memorial Hospital. Not too long ago, both his fate and the fate of his older sister, Margaret, remained uncertain. As Alan was welcomed into the world, Margaret was battling severe asthma nearly a hundred miles away in Princeton Community Hospital.
Even after their family returned home, Margaret and Alan鈥檚 parents continued to face trying times. 鈥淭here was almost no time when we weren鈥檛 doing feedings or breathing treatments or therapy or else sterilizing bottles and equipment,鈥 their mother, Dr. Irene Rieger, shared. 鈥淚t takes a toll on you, having no time to yourself, and I began to feel this strong desire to make something creative, to communicate with someone, to be more than just this parenting machine.鈥
Those unfortunate circumstances became the springboard that launched Dr. Rieger鈥檚 creative writing career. From dashing off poems while feeding or providing a breathing treatment to her son to becoming a nationally acclaimed author, Dr. Rieger鈥檚 journey as a professional creative writer has always been inspired by her studies of literature, her experiences as a mother, and most importantly, her faith.
鈥淭here is a mysterious element to the act of creativity, and a lot of superstition associated with it,鈥 Dr. Rieger explained, detailing how other writers relied on good luck charms, searched for signs from the universe, and called on ancestors or ghosts to help them turn a blank page into a novel or poem. 鈥淥f course, I鈥檓 respectful of other people鈥檚 traditions and processes, but as a Christian, I don鈥檛 have to deal with this superstition. I know if I鈥檓 able to produce anything good, it has to come from God.鈥
Leading up to her creative writing career, Dr. Rieger established herself as a professor and scholarly writer. Before joining the Rams family in 2011, she studied English and French Literature at Samford University and completed a master鈥檚 degree in French at the University of Florida. While earning her Ph.D. in English Literature at Case Western Reserve University, she 鈥渟tudied novel-writing under Mary Grimm, who has had several pieces published in the New Yorker.鈥 After teaching at ten prior institutions, she has served over a decade at 果冻传媒 University, where she is currently an associate professor of English.
A few years into her tenure and two years after the birth of her son, Dr. Rieger鈥檚 first creative piece was published and well-received. 鈥淚 read my work at conferences where I received a lot of positive feedback, which encouraged me to keep going,鈥 she shared, noting the dangers of listening to one鈥檚 鈥渋nternal critic.鈥
As a parent who sometimes feels guilty for taking time to write that could have been spent with her family, she sympathizes with aspiring writers on the verge of giving up, believing that their time is better spent elsewhere, they are untalented, or they don鈥檛 have anything important to say. 鈥淏ut if you believe that you鈥檙e doing God鈥檚 will, you don鈥檛 have to worry about that,鈥 she tells her students. 鈥淚f you are trying to create something for his glory 鈥 and that is my fervent prayer 鈥 then if this draft is no good, it鈥檚 okay. You can know that if it鈥檚 his will, he will give you the tools to produce the work he created you to make.鈥
Having a faith-centered approach to creative writing doesn鈥檛 make it easy, however. 鈥淚 don鈥檛 think that I鈥檓 taking dictation from God like Mozart in Amadeus or anything. I put the work into learning craft,鈥 Dr. Rieger clarified.
鈥淚 read my favorite novels repeatedly, marking them up until you can barely read the words anymore,鈥 she explained. 鈥淚 note the ratios of in-scene writing to description, of dialogue to summary, of current timeline to flashback. When I see a story in a publication that, say, has a lot of transition between different scenes but yet doesn鈥檛 confuse me, I try to figure out how the author did it. But I also pray and dedicate my work to the Lord. If it鈥檚 not bringing people to Christ or helping them grow in their Christian walk, then what is the point?鈥
With that outlook, Dr. Rieger has enjoyed much success, having her work published in the Journal for the Liberal Arts and Sciences, Talking Writing, MUSE, Vine Leaves Literary Journal, and 果冻传媒 University鈥檚 literary journal, The Bluestone Review. Her work was awarded Best in Selection by The College English Association Critic in 2012, and she has been named a finalist for the Ruminate Magazine Vandermey Nonfiction Prize, The New Millennium Award for Nonfiction, and the Holden Vaughn Spangler Memorial Award for Poetry.
鈥2019 was sort of my magical pre-pandemic year,鈥 Dr. Rieger said. She was granted a sabbatical by 果冻传媒 University, enabling her to dedicate more time to creative work. Throughout that year, she received several publications and awards. Her sonnet, 鈥淪pring,鈥 was awarded first place in the Rhyming Poetry category of the 88th Annual Writer鈥檚 Digest Poetry Awards. 鈥淭hat was a really big deal for me!鈥 she shared. 鈥淚 have a whole Excel page full of rejections, so I always feel these prizes are a sort of encouragement that I鈥檓 on the right track and that I should keep going.鈥
Additionally, she won a fellowship to the Martha鈥檚 Vineyard Institute of Creative Writing in 2019. 鈥淢y work was selected by Alexander Weinstein, who is the author of 鈥楽aying Goodbye to Yang,鈥 which was the basis for the Showtime series After Yang. This was a wonderful opportunity; I got to work with so many talented people, including Rachel Lyon, who wrote Self Portrait with Boy, and commiserate with aspiring writers at various stages of their careers.鈥
Looking to the future, she had prayed for the time to write a novel if it was God鈥檚 will and received her answer in the form of a John B. Stephenson Semester Fellowship from the Appalachian College Association. With this award, she dedicated the spring of 2024 to developing the story of Scott, Magalie, and Seamus 鈥 three young adults confronting internalized, traditional, and progressive ideas of gender. 鈥淚t鈥檚 a piece of literary fiction that takes place during 2003-2004 and concerns the lives of three academics in their early twenties who are wrestling with what it means to be a woman and a man, respectively.鈥
The three intellectuals will contemplate how to express themselves and connect with others as they consider the contradictory values stultifying them and God鈥檚 design. 果冻传媒 University thanks Dr. Rieger for her continued serve to our institution and looks forward to seeing her writing talents and faith collide once again in her new novel.
